Rio de Janeiro, Brazil

TEXT

Precious things

Fernando de La Rocque

In peaceful Alto-Lagoa
The smell of good coffee
and the pleasant noise of nature.
Natasha,
Enormous, slender
Greets us warmly
Her joy is noticeable.

In the room
Our eyes wander among the sculptures
The smallest, in value, of them all
A suspiciously-colored rabbit with a hard gaze,
on top of the fridge.

Windows, Little Windows, Big Windows
A painting on canvas is a window,
There’s about a hundred
and forty-five windows in this house,
One for every world

Natasha chews on and entire loaf of bread
She revels in it, and the crumbs fall on her hairy chest
Flour, water, and Natasha’s brightness
Impregnate the room
Paper, porcelain, plastic, text, gold sheet
Glass, acrylic, metal and cloth
Impregnate the room and the entire house
Wall, floor and ceiling
In the kitchen, in the bathrooms and in the bedrooms

Natasha licks our fingers
And rubs against our legs
I think she wants something
I think she wants to go for a walk

Enraptured by the totality of the ensemble
By this ordered confusion of precious
little pieces of the universe
This small galaxy, diverse,
and in constant expansion.
What joy to have physical contact
with these little things!
We say goodbye from afar,
with a kiss and a wave

She delicately walks towards us
She comes swaying amongst the relics
Raises her long snout
And opens a huge smile.

Fernando de La Rocque

Fernando de La Rocque (Rio de Janeiro, Brazil, 1979) graduated in Sculpture from the School of Fine Arts at UFRJ (2004). The focus of his production has been the Colônias series, known for its striking view where, from a distance, it presents a geometric and balanced organic composition, but when closer it reveals scenes of great sexual orgies with humanoid figures, with which the artist builds colorful, fun, energetic scenes with surprising cosmogonic content. Among his main solo exhibitions, the following stand out: “Everything that is most sacred”, Artur Fidalgo Galeria, Rio de Janeiro, 2016 and 2014; “Barata de Ouro”, Espaço Cultural Sérgio Porto, Rio de Janeiro, 2010; “Lambe-lambe”, Sala de Arte Público Siqueiros, México DF, 2011.
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